{"id":13312,"date":"2018-07-16T18:48:05","date_gmt":"2018-07-16T18:48:05","guid":{"rendered":"https:\/\/galerienoelguyomarch.com?p=13312"},"modified":"2020-06-26T18:47:04","modified_gmt":"2020-06-26T18:47:04","slug":"review-on-toc-twee-exhibition-by-marie-eve-g-castonguay","status":"publish","type":"post","link":"https:\/\/galerienoelguyomarch.com\/en\/2018\/07\/16\/review-on-toc-twee-exhibition-by-marie-eve-g-castonguay\/","title":{"rendered":"Review on TOC TWEE exhibition by Marie-Eve G. Castonguay"},"content":{"rendered":"<p><em><strong>TOC TWEE<\/strong><\/em><\/p>\n<p><strong>Aur\u00e9lie Guillaume and Zachery Lechtenberg, at\u00a0<\/strong><a href=\"https:\/\/galerienoelguyomarch.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Galerie Noel Guyomarc\u2019h<\/strong><\/a><\/p>\n<p><strong>by Marie-Eve G. Castonguay<\/strong><\/p>\n<p>Last month, Montreal\u2019s Galerie Noel Guyomarc\u2019h hosted TOC TWEE, an exhibition reuniting two of the most in vogue enamel artists in today\u2019s art jewellery scene: Aurelie Guillaume and Zachery Lechtenberg. As indicated by the title of the exhibition, which references both \u201ctoc\u201d, a French word for cheap or fake jewellery, and the English word \u201ctwee\u201d, the common theme explored by the artists is the wonderful world of kitsch. With candy pink wall sections and a large table ornate with a picnic-like cloth, flowers and glittery plastic fruits, Guillaume and Lechtenberg set the tone for the extravagant and garish, yet ironic iconography of their enamel work.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-21366 size-full\" src=\"https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/TOCTWEE.2.jpg\" alt=\"Contemporary Jewelry Mlle Guillaume Zachery Lechtenberg \" width=\"2560\" height=\"1920\" \/>The exhibition presented recent works by both artists, some of which were collaborations, and even pieces on which each artist borrowed elements from the other\u2019s illustration style. Although their respective aesthetics may initially appear quite different, the exhibition made it seem like a perfect match.<\/p>\n<p>The definition of kitsch implies two main aspects: overloaded and distasteful decoration, and the emblem for unthoughtful mass consumption. Guillaume and Lechtenberg\u2019s work, side by side, complemented each other to epitomize \u00a0the very definition of kitsch. On one hand, Guillaume\u2019s illustrations are whimsical, presenting fantastic and dream-like creatures and characters enacting the most mundane moments of everyday life. Renowned mostly for her finely crafted and humorous brooches, Guillaume seized the opportunity to explore different forms of adornment, such as a beaded necklace, a set of fake nails and a heart-shaped pendant: all the most glamourous expressions of ostentatious decoration. On the other hand, Lechtenberg\u2019s illustrations are reminiscent of graffiti art and, especially, of the satirical aspect of contemporary cartoon strip aesthetics. Very obviously inspired by street-art and counter culture, his iconography explores the world of vices, junk, and mass culture. Often using personification and symbolism, his work expresses the vulgarity of human nature in contemporary culture<\/p>\n<div id=\"attachment_789\" class=\"wp-caption alignleft\">\n<p>&nbsp;<\/p>\n<\/div>\n<div id=\"attachment_21362\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-21362\" class=\"wp-image-21362 size-large\" src=\"https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/TOCTWEE.1-1024x768.jpg\" alt=\"Contemporary enemal jewelry Mlle Guillaume Zachery Lechtenberg\" width=\"1024\" height=\"768\" srcset=\"https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/TOCTWEE.1-1024x768.jpg 1024w, https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/TOCTWEE.1-300x225.jpg 300w, https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/TOCTWEE.1-768x576.jpg 768w, https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/TOCTWEE.1-1536x1152.jpg 1536w, https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/TOCTWEE.1-600x450.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><p id=\"caption-attachment-21362\" class=\"wp-caption-text\">Mlle Guillaume and Zachery Lechtenberg interviewed by Aurelie&#8217;s former teacher Pamela Ritchie<\/p><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-783\" src=\"http:\/\/www.metalaid.net\/wp-content\/uploads\/2018\/05\/received_10204567804031550-225x300.jpeg\" sizes=\"auto, (max-width: 263px) 100vw, 263px\" srcset=\"http:\/\/www.metalaid.net\/wp-content\/uploads\/2018\/05\/received_10204567804031550-225x300.jpeg 225w, http:\/\/www.metalaid.net\/wp-content\/uploads\/2018\/05\/received_10204567804031550-768x1024.jpeg 768w, http:\/\/www.metalaid.net\/wp-content\/uploads\/2018\/05\/received_10204567804031550-800x1067.jpeg 800w\" alt=\"\" width=\"263\" height=\"350\" data-wp-pid=\"783\" \/>In the centre of the exhibition space was a set of enameled plates, reminding some of Lechtenberg\u2019s past work. Arranged on a yellow and white checkered table cloth, amongst flowers and shiny things, each plate was decorated with a multitude of characters typical to each artists\u2019 fantasy world. The scene thus created carried the visitors away from the exhibition into a grotesque picnic-style dinner party, with its reference to industrial enamelware. The cheap, mass-produced cookware often associated to camping, arguably the ultimate North-American middle-class leisure activity, recalled the roots of kitsch. With that in mind, it is interesting to examine the roots of kitsch as a notable cultural phenomenon, which coincided with North-American middle-class emancipation, its leisure culture and the development of mass production technologies: all of which were relayed through the artists\u2019 thought-provoking yet playful installation methods.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-21364 size-medium\" src=\"https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/IMG_1023-300x225.jpg\" alt=\"Contemporary enamel jewelry Mlle Guillaume Zachery Lechtenberg\" width=\"300\" height=\"225\" srcset=\"https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/IMG_1023-300x225.jpg 300w, https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/IMG_1023-1024x768.jpg 1024w, https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/IMG_1023-768x576.jpg 768w, https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/IMG_1023-1536x1152.jpg 1536w, https:\/\/galerienoelguyomarch.com\/wp-content\/uploads\/2020\/06\/IMG_1023-600x450.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Guillaume and Lechtenberg definitely had a field day with the idea of kitsch and pop culture. Although pushing the boundaries of kitsch, every single object on display showed an incredible level of refinement. The traditional nature of enamel and the unique quality of both artist\u2019s drawing styles clashed with the multiple references to mass consumerism and popular culture. The overall exhibition established a fascinating tension between extreme preciousness and gaudy excess.<\/p>\n<p>&nbsp;<\/p>\n<p>You can see more of the artists\u2019 work here:<\/p>\n<p><a href=\"https:\/\/galerienoelguyomarch.com\/en\/portfolio-item\/aurelie-guillaume\/\" target=\"_blank\" rel=\"noopener noreferrer\">Galerie Noel Guyomarc\u2019h \u2013 Aur\u00e9lie Guillaume<\/a><\/p>\n<p><a href=\"https:\/\/galerienoelguyomarch.com\/en\/portfolio-item\/zachery-lecthenberg\/\" target=\"_blank\" rel=\"noopener noreferrer\">Galerie Noel Guyomarc\u2019h \u2013 Zachery Lechtenberg<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>Marie Eve G. Castonguay is a contemporary jewellery artist currently based in Toronto. She is an artist in residence at Harbourfront Centre since 2014. <\/em><em>She holds a diploma from the \u00c9cole de Joaillerie de Qu\u00e9bec (2011) as well as a Bachelor of Fine Arts in Jewellery Design and Metalsmithing from NSCAD University, in Halifax (2013).\u00a0Her work was showcased in various exhibitions throughout Canada as well as in various countries in Europe such as France, Romania, Spain, Austria and Greece. Marie-Eve has been a writer, member of the editorial board and section coordinator for Bazzart Magazine since 2013, she co-founded MetalAid, and has coordinated several exhibition projects, notably \u201cFace \u00e0 Face: An Exhibition of Canadian Contemporary Jewellery\u201d, which was recently shown in Paris, France, and Toronto, ON.<\/em><\/p>\n<div class=\"sfsi_Sicons\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>TOC TWEE Aur\u00e9lie Guillaume and Zachery Lechtenberg, at\u00a0Galerie Noel Guyomarc\u2019h by Marie-Eve G. Castonguay Last month, Montreal\u2019s Galerie Noel Guyomarc\u2019h hosted TOC TWEE, an exhibition reuniting two of the most in vogue enamel artists in today\u2019s art jewellery scene: Aurelie [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20493,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[410],"tags":[],"class_list":["post-13312","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.3 (Yoast SEO v28.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Review on TOC TWEE exhibition by Marie-Eve G. 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