{"id":14708,"date":"2017-08-08T22:37:43","date_gmt":"2017-08-08T22:37:43","guid":{"rendered":"https:\/\/galerienoelguyomarch.com\/?p=14708"},"modified":"2020-06-27T17:43:59","modified_gmt":"2020-06-27T17:43:59","slug":"the-octopus-has-three-hearts","status":"publish","type":"post","link":"https:\/\/galerienoelguyomarch.com\/en\/2017\/08\/08\/the-octopus-has-three-hearts\/","title":{"rendered":"The Octopus Has Three Hearts"},"content":{"rendered":"

\u00ab <\/em><\/strong>THE OCTOPUS HAS THREE HEARTS <\/em><\/strong>\u00bb<\/em><\/strong><\/p>\n

ATTAI CHEN, M<\/em><\/strong>\u00c4<\/em><\/strong>RTA MATTSSON, CARINA SHOSHTARY<\/em><\/strong><\/p>\n

It is on September 14, with an opening night starting at 5 pm, that Galerie Noel Guyomarc\u2019h \u00a0will unveil its newest exhibition : The Octopus Has Three Hearts.<\/em><\/strong> The exhibition continues until October 15.<\/p>\n

Gathered\u00a0under this mysterious title, Attai Chen (Isra\u00ebl), M\u00e4rta Mattsson (Sweden) and Carina Shoshtary (Germany), the three of them among the most renowned artists in contemporary jewellery, will showcase pieces from their most recent production. The exhibition will be divided into two parts : on one side, \u00a0researches on earrings by the trio; On the other, a collection of unique pieces born from their experiences on shape and matter.<\/p>\n

It is following a swap of earrings that Carina Shoshtary and M\u00e4rta Mattsson exchanged about their respective creative approaches. Carina noted M\u00e4rta\u2019s continuing tension between attraction and repulsion while M\u00e4rta stressed Carina\u2019s use of opposite materials. There is also a major difference in their processes, as the former uses organic materials (cicada\u2019s wings, resin, crushed stones) to give them a synthetic appearance, whereas the latter takes materials that are already altered (graffiti fragments, glass) to produce an organic form. Attai Chen is joining this feminine duo by presenting a series of exclusive earrings of his own.<\/p>\n

Born in Stockholm, Sweden, M\u00e4rta Mattsson first studied jewellery in Gothenburg at HDK School of Design and Crafts<\/em>. <\/em>She perfected her technique by completing courses at London Royal College of Art<\/em>, Tokyo Hiko Mizuno College of Jewelry<\/em> and Rhode Island School of Design<\/em>, Providence, USA. Since 2006, her work has been shown in several international galleries and displayed in about a dozen public museums collections, including Stockholm National Museum<\/em>, New York Museum of Art and Design<\/em> and Houston Museum of Fine Arts<\/em>. In 2012, she was chosen to exhibit at Schmuck<\/em>, <\/em>Munich major contemporary art fair. The pieces she is presenting today are all from her newest series, called Wings.<\/em>\u00a0<\/em><\/p>\n

\"contemporary<\/p>\n

M\u00e4rta Mattsson<\/a><\/p>\n

<\/div>\n

Using materials that may at first seem unfit for jewellery, M\u00e4rta\u2019s work explores the threshold between disgust and attraction. Strongly inspired by 18th century cabinets of wonders, <\/em>which often displayed a patchwork of newly discovered species, she tries to make us see beauty in what may first seem repulsive. Conserving the original shape of the wings and bodies of her dead cicadas, she captures them in resin to protect and enhance their beauty with delicate and precise dabs of pigments. By preserving however the natural signs of time\u2019s passing, she allows the \u00ab\u00a0lives\u00a0\u00bb and history of those beings to keep further on.<\/p>\n

Carina Shoshtary was born in Germany and received her training in goldsmithing in Neugablonz. She studied contemporary jewellery at Munich Academy of Fine Arts <\/em>with Otto K\u00fcnzli. In addition to being part of important collections such as Munich International Design Museum<\/em> or London Victoria & Albert Museum<\/em>, her work has been presented internationally in numerous museums and galleries. In 2012, she received the Bavarian State Prize for Emerging Designers <\/em>and the Upper Bavarian Prize for Applied Arts<\/em>.<\/p>\n

\"contemporary<\/a><\/p>\n

Carina Shoshtary<\/a><\/p>\n

Using materials from her immediate surroundings and with a previous life, Carina Shoshtary considers herself a \u00ab\u00a0hunter-gatherer\u00a0\u00bb. In Karma Chroma<\/em>, <\/em>her newest artistic proposal, she uses fragments of graffiti, recovering the successive layers of posters on public panels that, with time, come off and fall to the ground. Maintaining a fusional relationship with colour, she keeps it at the core of her creative researches, adding sometimes found organic materials to her creations.<\/p>\n

Israeli artist Attai Chen follows the same process by compiling and researching matter before beginning any creation. He uses raw materials such as casts-off, carved wood, paper, paint and graphite. His two most recent series, Compounding Fractions<\/em> and Matter of Perspective<\/em>, will both be displayed at Galerie Noel Guyomarc\u2019h \u00a0for the exhibition.<\/p>\n

In the first series, Compounding Fractions<\/em>, <\/em>Attai Chen relies on fragmented recycled paper, documenting the gestation, growth and decay of those fragments and revealing their inherent beauty. The latter, Matter of Perspective<\/em>, <\/em>aims at denouncing how each individual views reality through the lens of its own specific culture and references. With his exceptionally beautiful pieces, he encourages us to see raw materials as if for the first time, without any preconception.<\/p>\n

\"contemporary<\/a><\/p>\n

Attai Chen<\/a><\/p>\n

A graduate of Bezalel Academy of Art and Design<\/em> in Jerusalem,\u00a0Attai Chen also holds a degree from the Munich Academy of Fine Arts<\/em>. In 2010, his work was rewarded with the Herbert Hoffmann Award<\/em> at Schmuck<\/em> and in 2011 with the Oberbayerischer Prize for Applied Art<\/em>. In 2014, he was granted the Andy Prize for Contemporary Art<\/em> and was offered a solo exhibition at the Tel Aviv Art Museum<\/em>. His works can be seen in the collections of the New York<\/em>\u00a0Metropolitan Museum of Art<\/em>, <\/em>the\u00a0Munich<\/em> Neue Sammlung<\/em>, <\/em>Tel Aviv Museum of Art<\/em>, Jerusalem <\/em>Israeli Museum of Art<\/em> and Rotasa Trust Collection in California<\/em>. <\/em>He recently participated in an artist\u2019s residency at the Konstepidemin Center<\/em> in Sweden with his wife Carina.<\/p>\n

The Octopus Has Three Hearts <\/em>offers a unique opportunity to acquire the works of those three exceptional artists and to appreciate their exceptional talent and creativity<\/p>\n

The exhibition will be held at Galerie Noel Guyomarc<\/strong>\u2019<\/strong>h from September <\/strong><\/p>\n

14 to October 15, 2017.<\/strong><\/p>\n

Enregistrer<\/span>Enregistrer<\/span><\/p>\n

Enregistrer<\/span>Enregistrer<\/span>Enregistrer<\/span>Enregistrer<\/span><\/p>\n

Enregistrer<\/span>Enregistrer<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab THE OCTOPUS HAS THREE HEARTS \u00bb ATTAI CHEN, M\u00c4RTA MATTSSON, CARINA SHOSHTARY It is on September 14, with an opening night starting at 5 pm, that Galerie Noel Guyomarc\u2019h \u00a0will unveil its newest exhibition : The Octopus Has Three […]<\/p>\n","protected":false},"author":2,"featured_media":21426,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[412,573],"tags":[],"class_list":["post-14708","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-en","category-expositions-en"],"yoast_head":"\nThe Octopus Has Three Hearts - Galerie Noel Guyomarc'h<\/title>\n<meta name=\"robots\" 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